‘Avatar’ sequels start arriving on December 18th, 2020

James Cameron has spent years drumming up hype for his Avatar sequels with little to show for it (the first sequel was originally due this December). However, his team is finally ready to commit to specific release dates — for all the new movies. The production team has revealed that Avatar 2 should arrive on December 18th, 2020, with the rest staggered throughout the next few years. The third movie is slated for December 17th, 2021. There will be a 3-year gap between that and the fourth movie, which debuts on December 20th, 2024. The fifth and final (?) title will appear on December 19th, 2025, 16 years after the first. Cameron and crew have started “concurrent” production of the sequels, which are poised to make cases for both high frame rate video as well as Avatar ‘s signature blend of CG with real-world acting. In theory, this gives the team a better sense of the timing than it might have if it was taking a serial approach. With that said, you may still want to take these dates with a grain of salt. It’s not just that the releases have been pushed back in the past, it’s that the scope has changed over time. Cameron added a fourth sequel to the mix just in 2016, so it won’t be surprising if the schedule shifts due to further creative changes or unforeseen challenges. Really, the big news is simply that the director is getting the ball rolling after years of prep — the dates just give you a rough idea of what to expect. Via: Variety Source: Avatar (Facebook)

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‘Avatar’ sequels start arriving on December 18th, 2020

Adobe Photoshop adds Content-Aware Crop and font suggestions

Adobe usually announces significant updates to Creative Cloud every six months , and its delivering another right on schedule. While the changes are scattered across all of the apps in the company’s software subscription and its stock photo service, we’ll focus primarily on Photoshop. For its popular photo-editing app, Adobe is adding a Content-Aware Crop to the collection of smart design tools. Here, the software automatically fills in any gaps that are created when you either rotate and image or expand it beyond its original size. This new cropping option joins the handy Content-Aware Fill and other tools that make quick work of photo edits. Photoshop’s Liquify tool, a feature that’s used to tweak facial features , is getting an update as well. It’s now “Face-Aware, ” which means it’ll keep the subject’s face in proportion while you make those subtle adjustments. The application also has a new font-recognition tool that will not only identify licensed fonts, but it will suggest similar options that are available on your computer or through Adobe’s TypeKit service. A notable chance across all Creative Cloud apps include the ability to set permissions for design assets in CreativeSync. This means that when you’re working with a team, you can determine who sees what rather than having all of the images, fonts and other files available to everyone inside the CC software. There are also new search filters to that you can narrow results to still photos, video, vectors and illustrations. Adobe Premiere Pro, the company’s video-editing app, continues to add on the VR-related tools. This time the software gets a “field of view” preview mode to check progress on that immersive content. In After Effects, you can now match an animated character’s speech and movement with a real-life actor thanks to the Character Animator Preview. For Illustrator users, expect to easily export assets and artboards in multiple formats and resolutions with one click, rather than having to save separate files individually. All of the above updates are available now in Creative Cloud for subscribers, included in the cost of the software plan. Those prices are set at $10/month for the photography option (Lightroom and Photoshop only) and $50/month for the full suite of apps.

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Adobe Photoshop adds Content-Aware Crop and font suggestions

More Digitally Fabricated Records: Listen to the Velvet Underground on Laser Cut Maple

We were pretty impressed with Amanda Ghassaei’s 3D-printed records , but apparently the Tech Editor at Instructables isn’t content to blow our minds with her digital fabrication prowess just once. As of this weekend, she’s back with a veritable encore: a Laser Cut Record . Although all the documentation for that project is available here, and the 3D models can be printed through an online fabrication service, I felt like the barrier to entry was still way too high. With this project I wanted to try to extend the idea of digitally fabricated records to use relatively common and affordable machines and materials so that (hopefully) more people can participate and actually find some value in all this documentation I’ve been writing. As with the 3D-printed vinyl, the laser cut record is hardly high-fidelity… but that’s not the point. The point is, it’s really f’in cool. (more…)        

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More Digitally Fabricated Records: Listen to the Velvet Underground on Laser Cut Maple