These Ingenious 2,500-Year-Old Chinese Wood Joints Make Buildings Earthquake-Proof

Over thousands of years, the building science of timber framing developed independently in both Northern Europe and China. But one big difference between the regions is that China, by virtue of its size and geological traits, is prone to devastating earthquakes. Ancient Chinese builders thus needed a way to create wooden structures that could not be shaken apart, and that were not so stiff that its support members would shatter. They designed and engineered the solution at least as early as roughly 500 B.C. The builders created a series of brackets known as dougong .  When interlocked together, these could transfer the incredibly heavy weight of a temple roof to the supporting columns, and they contained so many redundancies that they could not be shaken apart.  They also, by spreading their tolerances over multiple joints, contained a measure of flexibility that prevented them from cracking and splitting. Check out the ingenious way that they fit together in the computer animation below: The craziest part of that system is that the columns are not sunken into the foundation nor moored, but are freestanding, and yet they stayed in place during the shake test. The video below, which is of a modern-day architect demonstrating dougong with a scale model, is a bit slower but really gives you a good look at the components and how they fit together: It’s crazy to see how wobbly it all looks, but how it all gets locked into place by the immense weight of the roof; and that wobbliness of course affords the flexibility required for the structure to withstand an earthquake without shattering. Also, this architect must look at people playing Jenga and think “Idiots.”

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These Ingenious 2,500-Year-Old Chinese Wood Joints Make Buildings Earthquake-Proof

‘Guardians of the Galaxy’ team says why it used Red’s 8K camera

When director James Gunn revealed that Guardians of the Galaxy Vol. 2 would be the first movie shot with Red’s 8K Weapon camera , he triggered a bit of speculation: what prompted the move beyond the incredibly high resolution? You might have a better answer today. Red has posted a behind-the-scenes look at the movie that, to no one’s surprise, talks a lot about why the Vol. 2 team shot with such relatively exotic gear. And no, it’s not just about that picture quality. As director of photography Henry Braham summarizes: the Weapon is a “large format” camera that’s simultaneously “tiny.” That let the crew shoot very detailed imagery regardless of the shot — important for a CG-heavy movie, since it maintains a consistently sharp look. They could use the same cameras for handheld close-ups or unusual rigs, such as a spider rig that flies along a wire. In short, they didn’t have to switch cameras or resort to convoluted setups. The behind-the-scenes video is undoubtedly a puff piece meant to sell you on both the camera and the movie. However, it’s also a hint as to where movie technology is going. You can expect 8K digital cameras to become more commonplace, of course, but they also promise more elaborate cinematography that might have been difficult just a few years ago. Source: Red

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‘Guardians of the Galaxy’ team says why it used Red’s 8K camera

‘Guardians of the Galaxy’ team says why it used Red’s 8K camera

When director James Gunn revealed that Guardians of the Galaxy Vol. 2 would be the first movie shot with Red’s 8K Weapon camera , he triggered a bit of speculation: what prompted the move beyond the incredibly high resolution? You might have a better answer today. Red has posted a behind-the-scenes look at the movie that, to no one’s surprise, talks a lot about why the Vol. 2 team shot with such relatively exotic gear. And no, it’s not just about that picture quality. As director of photography Henry Braham summarizes: the Weapon is a “large format” camera that’s simultaneously “tiny.” That let the crew shoot very detailed imagery regardless of the shot — important for a CG-heavy movie, since it maintains a consistently sharp look. They could use the same cameras for handheld close-ups or unusual rigs, such as a spider rig that flies along a wire. In short, they didn’t have to switch cameras or resort to convoluted setups. The behind-the-scenes video is undoubtedly a puff piece meant to sell you on both the camera and the movie. However, it’s also a hint as to where movie technology is going. You can expect 8K digital cameras to become more commonplace, of course, but they also promise more elaborate cinematography that might have been difficult just a few years ago. Source: Red

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‘Guardians of the Galaxy’ team says why it used Red’s 8K camera

‘Guardians of the Galaxy’ team says why it used Red’s 8K camera

When director James Gunn revealed that Guardians of the Galaxy Vol. 2 would be the first movie shot with Red’s 8K Weapon camera , he triggered a bit of speculation: what prompted the move beyond the incredibly high resolution? You might have a better answer today. Red has posted a behind-the-scenes look at the movie that, to no one’s surprise, talks a lot about why the Vol. 2 team shot with such relatively exotic gear. And no, it’s not just about that picture quality. As director of photography Henry Braham summarizes: the Weapon is a “large format” camera that’s simultaneously “tiny.” That let the crew shoot very detailed imagery regardless of the shot — important for a CG-heavy movie, since it maintains a consistently sharp look. They could use the same cameras for handheld close-ups or unusual rigs, such as a spider rig that flies along a wire. In short, they didn’t have to switch cameras or resort to convoluted setups. The behind-the-scenes video is undoubtedly a puff piece meant to sell you on both the camera and the movie. However, it’s also a hint as to where movie technology is going. You can expect 8K digital cameras to become more commonplace, of course, but they also promise more elaborate cinematography that might have been difficult just a few years ago. Source: Red

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‘Guardians of the Galaxy’ team says why it used Red’s 8K camera

‘Guardians of the Galaxy’ team says why it used Red’s 8K camera

When director James Gunn revealed that Guardians of the Galaxy Vol. 2 would be the first movie shot with Red’s 8K Weapon camera , he triggered a bit of speculation: what prompted the move beyond the incredibly high resolution? You might have a better answer today. Red has posted a behind-the-scenes look at the movie that, to no one’s surprise, talks a lot about why the Vol. 2 team shot with such relatively exotic gear. And no, it’s not just about that picture quality. As director of photography Henry Braham summarizes: the Weapon is a “large format” camera that’s simultaneously “tiny.” That let the crew shoot very detailed imagery regardless of the shot — important for a CG-heavy movie, since it maintains a consistently sharp look. They could use the same cameras for handheld close-ups or unusual rigs, such as a spider rig that flies along a wire. In short, they didn’t have to switch cameras or resort to convoluted setups. The behind-the-scenes video is undoubtedly a puff piece meant to sell you on both the camera and the movie. However, it’s also a hint as to where movie technology is going. You can expect 8K digital cameras to become more commonplace, of course, but they also promise more elaborate cinematography that might have been difficult just a few years ago. Source: Red

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‘Guardians of the Galaxy’ team says why it used Red’s 8K camera

‘Guardians of the Galaxy’ team says why it used Red’s 8K camera

When director James Gunn revealed that Guardians of the Galaxy Vol. 2 would be the first movie shot with Red’s 8K Weapon camera , he triggered a bit of speculation: what prompted the move beyond the incredibly high resolution? You might have a better answer today. Red has posted a behind-the-scenes look at the movie that, to no one’s surprise, talks a lot about why the Vol. 2 team shot with such relatively exotic gear. And no, it’s not just about that picture quality. As director of photography Henry Braham summarizes: the Weapon is a “large format” camera that’s simultaneously “tiny.” That let the crew shoot very detailed imagery regardless of the shot — important for a CG-heavy movie, since it maintains a consistently sharp look. They could use the same cameras for handheld close-ups or unusual rigs, such as a spider rig that flies along a wire. In short, they didn’t have to switch cameras or resort to convoluted setups. The behind-the-scenes video is undoubtedly a puff piece meant to sell you on both the camera and the movie. However, it’s also a hint as to where movie technology is going. You can expect 8K digital cameras to become more commonplace, of course, but they also promise more elaborate cinematography that might have been difficult just a few years ago. Source: Red

More:
‘Guardians of the Galaxy’ team says why it used Red’s 8K camera

‘Guardians of the Galaxy’ team says why it used Red’s 8K camera

When director James Gunn revealed that Guardians of the Galaxy Vol. 2 would be the first movie shot with Red’s 8K Weapon camera , he triggered a bit of speculation: what prompted the move beyond the incredibly high resolution? You might have a better answer today. Red has posted a behind-the-scenes look at the movie that, to no one’s surprise, talks a lot about why the Vol. 2 team shot with such relatively exotic gear. And no, it’s not just about that picture quality. As director of photography Henry Braham summarizes: the Weapon is a “large format” camera that’s simultaneously “tiny.” That let the crew shoot very detailed imagery regardless of the shot — important for a CG-heavy movie, since it maintains a consistently sharp look. They could use the same cameras for handheld close-ups or unusual rigs, such as a spider rig that flies along a wire. In short, they didn’t have to switch cameras or resort to convoluted setups. The behind-the-scenes video is undoubtedly a puff piece meant to sell you on both the camera and the movie. However, it’s also a hint as to where movie technology is going. You can expect 8K digital cameras to become more commonplace, of course, but they also promise more elaborate cinematography that might have been difficult just a few years ago. Source: Red

View article:
‘Guardians of the Galaxy’ team says why it used Red’s 8K camera

‘Guardians of the Galaxy’ team says why it used Red’s 8K camera

When director James Gunn revealed that Guardians of the Galaxy Vol. 2 would be the first movie shot with Red’s 8K Weapon camera , he triggered a bit of speculation: what prompted the move beyond the incredibly high resolution? You might have a better answer today. Red has posted a behind-the-scenes look at the movie that, to no one’s surprise, talks a lot about why the Vol. 2 team shot with such relatively exotic gear. And no, it’s not just about that picture quality. As director of photography Henry Braham summarizes: the Weapon is a “large format” camera that’s simultaneously “tiny.” That let the crew shoot very detailed imagery regardless of the shot — important for a CG-heavy movie, since it maintains a consistently sharp look. They could use the same cameras for handheld close-ups or unusual rigs, such as a spider rig that flies along a wire. In short, they didn’t have to switch cameras or resort to convoluted setups. The behind-the-scenes video is undoubtedly a puff piece meant to sell you on both the camera and the movie. However, it’s also a hint as to where movie technology is going. You can expect 8K digital cameras to become more commonplace, of course, but they also promise more elaborate cinematography that might have been difficult just a few years ago. Source: Red

Continued here:
‘Guardians of the Galaxy’ team says why it used Red’s 8K camera

‘Guardians of the Galaxy’ team says why it used Red’s 8K camera

When director James Gunn revealed that Guardians of the Galaxy Vol. 2 would be the first movie shot with Red’s 8K Weapon camera , he triggered a bit of speculation: what prompted the move beyond the incredibly high resolution? You might have a better answer today. Red has posted a behind-the-scenes look at the movie that, to no one’s surprise, talks a lot about why the Vol. 2 team shot with such relatively exotic gear. And no, it’s not just about that picture quality. As director of photography Henry Braham summarizes: the Weapon is a “large format” camera that’s simultaneously “tiny.” That let the crew shoot very detailed imagery regardless of the shot — important for a CG-heavy movie, since it maintains a consistently sharp look. They could use the same cameras for handheld close-ups or unusual rigs, such as a spider rig that flies along a wire. In short, they didn’t have to switch cameras or resort to convoluted setups. The behind-the-scenes video is undoubtedly a puff piece meant to sell you on both the camera and the movie. However, it’s also a hint as to where movie technology is going. You can expect 8K digital cameras to become more commonplace, of course, but they also promise more elaborate cinematography that might have been difficult just a few years ago. Source: Red

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‘Guardians of the Galaxy’ team says why it used Red’s 8K camera

‘Guardians of the Galaxy’ team says why it used Red’s 8K camera

When director James Gunn revealed that Guardians of the Galaxy Vol. 2 would be the first movie shot with Red’s 8K Weapon camera , he triggered a bit of speculation: what prompted the move beyond the incredibly high resolution? You might have a better answer today. Red has posted a behind-the-scenes look at the movie that, to no one’s surprise, talks a lot about why the Vol. 2 team shot with such relatively exotic gear. And no, it’s not just about that picture quality. As director of photography Henry Braham summarizes: the Weapon is a “large format” camera that’s simultaneously “tiny.” That let the crew shoot very detailed imagery regardless of the shot — important for a CG-heavy movie, since it maintains a consistently sharp look. They could use the same cameras for handheld close-ups or unusual rigs, such as a spider rig that flies along a wire. In short, they didn’t have to switch cameras or resort to convoluted setups. The behind-the-scenes video is undoubtedly a puff piece meant to sell you on both the camera and the movie. However, it’s also a hint as to where movie technology is going. You can expect 8K digital cameras to become more commonplace, of course, but they also promise more elaborate cinematography that might have been difficult just a few years ago. Source: Red

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‘Guardians of the Galaxy’ team says why it used Red’s 8K camera