‘Guardians of the Galaxy’ team says why it used Red’s 8K camera

When director James Gunn revealed that Guardians of the Galaxy Vol. 2 would be the first movie shot with Red’s 8K Weapon camera , he triggered a bit of speculation: what prompted the move beyond the incredibly high resolution? You might have a better answer today. Red has posted a behind-the-scenes look at the movie that, to no one’s surprise, talks a lot about why the Vol. 2 team shot with such relatively exotic gear. And no, it’s not just about that picture quality. As director of photography Henry Braham summarizes: the Weapon is a “large format” camera that’s simultaneously “tiny.” That let the crew shoot very detailed imagery regardless of the shot — important for a CG-heavy movie, since it maintains a consistently sharp look. They could use the same cameras for handheld close-ups or unusual rigs, such as a spider rig that flies along a wire. In short, they didn’t have to switch cameras or resort to convoluted setups. The behind-the-scenes video is undoubtedly a puff piece meant to sell you on both the camera and the movie. However, it’s also a hint as to where movie technology is going. You can expect 8K digital cameras to become more commonplace, of course, but they also promise more elaborate cinematography that might have been difficult just a few years ago. Source: Red

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‘Guardians of the Galaxy’ team says why it used Red’s 8K camera

‘Guardians of the Galaxy’ team says why it used Red’s 8K camera

When director James Gunn revealed that Guardians of the Galaxy Vol. 2 would be the first movie shot with Red’s 8K Weapon camera , he triggered a bit of speculation: what prompted the move beyond the incredibly high resolution? You might have a better answer today. Red has posted a behind-the-scenes look at the movie that, to no one’s surprise, talks a lot about why the Vol. 2 team shot with such relatively exotic gear. And no, it’s not just about that picture quality. As director of photography Henry Braham summarizes: the Weapon is a “large format” camera that’s simultaneously “tiny.” That let the crew shoot very detailed imagery regardless of the shot — important for a CG-heavy movie, since it maintains a consistently sharp look. They could use the same cameras for handheld close-ups or unusual rigs, such as a spider rig that flies along a wire. In short, they didn’t have to switch cameras or resort to convoluted setups. The behind-the-scenes video is undoubtedly a puff piece meant to sell you on both the camera and the movie. However, it’s also a hint as to where movie technology is going. You can expect 8K digital cameras to become more commonplace, of course, but they also promise more elaborate cinematography that might have been difficult just a few years ago. Source: Red

See the original post:
‘Guardians of the Galaxy’ team says why it used Red’s 8K camera

‘Guardians of the Galaxy’ team says why it used Red’s 8K camera

When director James Gunn revealed that Guardians of the Galaxy Vol. 2 would be the first movie shot with Red’s 8K Weapon camera , he triggered a bit of speculation: what prompted the move beyond the incredibly high resolution? You might have a better answer today. Red has posted a behind-the-scenes look at the movie that, to no one’s surprise, talks a lot about why the Vol. 2 team shot with such relatively exotic gear. And no, it’s not just about that picture quality. As director of photography Henry Braham summarizes: the Weapon is a “large format” camera that’s simultaneously “tiny.” That let the crew shoot very detailed imagery regardless of the shot — important for a CG-heavy movie, since it maintains a consistently sharp look. They could use the same cameras for handheld close-ups or unusual rigs, such as a spider rig that flies along a wire. In short, they didn’t have to switch cameras or resort to convoluted setups. The behind-the-scenes video is undoubtedly a puff piece meant to sell you on both the camera and the movie. However, it’s also a hint as to where movie technology is going. You can expect 8K digital cameras to become more commonplace, of course, but they also promise more elaborate cinematography that might have been difficult just a few years ago. Source: Red

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‘Guardians of the Galaxy’ team says why it used Red’s 8K camera

‘Guardians of the Galaxy’ team says why it used Red’s 8K camera

When director James Gunn revealed that Guardians of the Galaxy Vol. 2 would be the first movie shot with Red’s 8K Weapon camera , he triggered a bit of speculation: what prompted the move beyond the incredibly high resolution? You might have a better answer today. Red has posted a behind-the-scenes look at the movie that, to no one’s surprise, talks a lot about why the Vol. 2 team shot with such relatively exotic gear. And no, it’s not just about that picture quality. As director of photography Henry Braham summarizes: the Weapon is a “large format” camera that’s simultaneously “tiny.” That let the crew shoot very detailed imagery regardless of the shot — important for a CG-heavy movie, since it maintains a consistently sharp look. They could use the same cameras for handheld close-ups or unusual rigs, such as a spider rig that flies along a wire. In short, they didn’t have to switch cameras or resort to convoluted setups. The behind-the-scenes video is undoubtedly a puff piece meant to sell you on both the camera and the movie. However, it’s also a hint as to where movie technology is going. You can expect 8K digital cameras to become more commonplace, of course, but they also promise more elaborate cinematography that might have been difficult just a few years ago. Source: Red

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‘Guardians of the Galaxy’ team says why it used Red’s 8K camera

‘Guardians of the Galaxy’ team says why it used Red’s 8K camera

When director James Gunn revealed that Guardians of the Galaxy Vol. 2 would be the first movie shot with Red’s 8K Weapon camera , he triggered a bit of speculation: what prompted the move beyond the incredibly high resolution? You might have a better answer today. Red has posted a behind-the-scenes look at the movie that, to no one’s surprise, talks a lot about why the Vol. 2 team shot with such relatively exotic gear. And no, it’s not just about that picture quality. As director of photography Henry Braham summarizes: the Weapon is a “large format” camera that’s simultaneously “tiny.” That let the crew shoot very detailed imagery regardless of the shot — important for a CG-heavy movie, since it maintains a consistently sharp look. They could use the same cameras for handheld close-ups or unusual rigs, such as a spider rig that flies along a wire. In short, they didn’t have to switch cameras or resort to convoluted setups. The behind-the-scenes video is undoubtedly a puff piece meant to sell you on both the camera and the movie. However, it’s also a hint as to where movie technology is going. You can expect 8K digital cameras to become more commonplace, of course, but they also promise more elaborate cinematography that might have been difficult just a few years ago. Source: Red

See the original post:
‘Guardians of the Galaxy’ team says why it used Red’s 8K camera

‘Guardians of the Galaxy’ team says why it used Red’s 8K camera

When director James Gunn revealed that Guardians of the Galaxy Vol. 2 would be the first movie shot with Red’s 8K Weapon camera , he triggered a bit of speculation: what prompted the move beyond the incredibly high resolution? You might have a better answer today. Red has posted a behind-the-scenes look at the movie that, to no one’s surprise, talks a lot about why the Vol. 2 team shot with such relatively exotic gear. And no, it’s not just about that picture quality. As director of photography Henry Braham summarizes: the Weapon is a “large format” camera that’s simultaneously “tiny.” That let the crew shoot very detailed imagery regardless of the shot — important for a CG-heavy movie, since it maintains a consistently sharp look. They could use the same cameras for handheld close-ups or unusual rigs, such as a spider rig that flies along a wire. In short, they didn’t have to switch cameras or resort to convoluted setups. The behind-the-scenes video is undoubtedly a puff piece meant to sell you on both the camera and the movie. However, it’s also a hint as to where movie technology is going. You can expect 8K digital cameras to become more commonplace, of course, but they also promise more elaborate cinematography that might have been difficult just a few years ago. Source: Red

See more here:
‘Guardians of the Galaxy’ team says why it used Red’s 8K camera

‘Guardians of the Galaxy’ team says why it used Red’s 8K camera

When director James Gunn revealed that Guardians of the Galaxy Vol. 2 would be the first movie shot with Red’s 8K Weapon camera , he triggered a bit of speculation: what prompted the move beyond the incredibly high resolution? You might have a better answer today. Red has posted a behind-the-scenes look at the movie that, to no one’s surprise, talks a lot about why the Vol. 2 team shot with such relatively exotic gear. And no, it’s not just about that picture quality. As director of photography Henry Braham summarizes: the Weapon is a “large format” camera that’s simultaneously “tiny.” That let the crew shoot very detailed imagery regardless of the shot — important for a CG-heavy movie, since it maintains a consistently sharp look. They could use the same cameras for handheld close-ups or unusual rigs, such as a spider rig that flies along a wire. In short, they didn’t have to switch cameras or resort to convoluted setups. The behind-the-scenes video is undoubtedly a puff piece meant to sell you on both the camera and the movie. However, it’s also a hint as to where movie technology is going. You can expect 8K digital cameras to become more commonplace, of course, but they also promise more elaborate cinematography that might have been difficult just a few years ago. Source: Red

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‘Guardians of the Galaxy’ team says why it used Red’s 8K camera

‘Guardians of the Galaxy’ team says why it used Red’s 8K camera

When director James Gunn revealed that Guardians of the Galaxy Vol. 2 would be the first movie shot with Red’s 8K Weapon camera , he triggered a bit of speculation: what prompted the move beyond the incredibly high resolution? You might have a better answer today. Red has posted a behind-the-scenes look at the movie that, to no one’s surprise, talks a lot about why the Vol. 2 team shot with such relatively exotic gear. And no, it’s not just about that picture quality. As director of photography Henry Braham summarizes: the Weapon is a “large format” camera that’s simultaneously “tiny.” That let the crew shoot very detailed imagery regardless of the shot — important for a CG-heavy movie, since it maintains a consistently sharp look. They could use the same cameras for handheld close-ups or unusual rigs, such as a spider rig that flies along a wire. In short, they didn’t have to switch cameras or resort to convoluted setups. The behind-the-scenes video is undoubtedly a puff piece meant to sell you on both the camera and the movie. However, it’s also a hint as to where movie technology is going. You can expect 8K digital cameras to become more commonplace, of course, but they also promise more elaborate cinematography that might have been difficult just a few years ago. Source: Red

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‘Guardians of the Galaxy’ team says why it used Red’s 8K camera

Lignum Vitae: Wood So Bad-Ass, It’s Used to Make Shaft Bearings for Nuclear Submarines (and More)

Lignum Vitae, Latin for “Tree of Life, ” is the national tree of the Bahamas. It’s also the world’s densest wood, and has such unusual properties that the USS Nautilus, the world’s first nuclear-powered submarine, has its aft main shaft strut bearings made out of the stuff. In addition to being strong, hard, heavy, dense, water- and salt-water-resistant, Lignum Vitae contains natural oils that make the bearings self-lubricating. The USS Nautilus isn’t an anomaly; Lignum Vitae has been used as propellor shaft bearings in conventional ships, and hydroelectric plants dating back to the 1920s have used bearings for their turbines made out of the stuff. Virginia-based Lignum Vitae Bearings calls their product “the world’s only renewable (and greenest) bearing on the market.” Company President Bob Shortridge has acquired land in the Bahamas, one of the tree’s native origin islands, and plants at least one Lignum Vitae tree for every block of the stuff that passes through his facility. “Although Lignum Vitae has been harvested for over 500 years before I was born, ” Shortridge writes, “I feel an obligation to replace it… I wish for this incredibly useful wood to be available for generations to come.” Here’s Shortridge himself explaining Lignum Vitae’s properties and applications: (more…)        

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Lignum Vitae: Wood So Bad-Ass, It’s Used to Make Shaft Bearings for Nuclear Submarines (and More)