Gorgeous Map of the Internet: XKCD meets National Geographic

Martin Vargic has produced a gorgeous mashup of XKCD’s Map of Online Communities and the classic National Geographic Maps, producing a work of art that is a wonder to behold. It’s for sale on Zazzle , as a $37, 34″x22″ poster. I was originally inspired by map of the internet created by xkcd, showing most popular social networks as countries and regions, back in 2010. It was not my original idea, but I extended it to such a scale for the first time. I used photoshop for the majority of drawing. The base style of the map was inspired by the National Geographic Maps, I also used Winkel Tripel Projection and similar border coloring fashion. I created the map in quite a short time, three weeks to be exact. I often worked early in the morning, and I can say I really enjoyed it. I got the data about website sizes mainly from Alexa and similar online services. Currently, I am working on the next versions of the map, which will be even more ridiculously detailed than the previous one, and will encompass all major websites without any significant exceptions, it will be coming in mid-february. The map is divided into 2 distinctive parts; the eastern continent, “the old world” showcases software companies, gaming companies and some of the more real-life oriented websites. Western part, “the new world” is composed from two major continent, northern one showcasing social networks, search websites, video websites, blogs, forums and art websites. All major adult-oriented websites, in addition to varioius warez and torrent sites, are located on the southwestern continent of the map. In the very south of the map, there is located “Great Southern Land” of obsolete websites and online services. Outside the main map, there are also 4 minimaps showing NSA monitoring by country, most used browser, most used social network, and internet penetration by country. Map of the Internet 1.0. ( via IO9 )        

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Gorgeous Map of the Internet: XKCD meets National Geographic

All library audiobooks going to DRM-free MP3s

Ben writes, “Overdrive, which is one of the main suppliers of downloadable audiobooks to public libraries, announced that it is retiring its DRM-encrusted .WMA formats and pushing everything to DRM-free .mp3s .” This is a big deal. Audiobooks are the last holdouts for DRM in audio, and one company, Audible, controls the vast majority of the market and insists upon DRM in all of its catalog (even when authors and publishers object). Itunes, Audible’s major sales channel, also insists on DRM in audiobooks (even where Audible can be convinced to drop it). Audiobooks can cost a lot of money, and are very cumbersome to convert to free/open formats without using illegal circumvention tools. To stay on the right side of the law, you have to burn your audiobooks to many discs (sometimes dozens), then re-rip them, enduring breaks that come mid-word; or you have to play the audio out of your computer’s analog audio outputs and redigitize them, which can take days (literally) and results in sound-quality loss. Overdrive going DRM-free for libraries is a massive shift in this market, and marks a turning point in the relationship between the publishers/creators and the technology companies that act as conduits and retail channels for their work. It’s especially great that libraries are getting a break, as they have been royally screwed on electronic books and audiobooks up until now. This is in response to user preferences, widespread compatibility of MP3 across all listening devices and the fact that the vast majority of our extensive audiobook collection is already in MP3 format. This includes the audiobook collections from Hachette, Penguin Group, Random House (Books on Tape and Listening Library), HarperCollins, AudioGo, Blackstone, Tantor Media and dozens of others. Our publisher relations team is working closely with the very few remaining publishers who require WMA to seek permission to sell their titles in MP3 for library and school lending. We will soon be communicating the discontinuance of WMA sales, and then at a future date, we will announce when MP3 files will be the only supported format through OverDrive platforms. For libraries and schools that currently have WMA audiobook files in their collection, we will be working with the publishers of those titles to gain permissions to update your inventory to MP3. In the event that some titles are unavailable, an alternate solution will be offered to make up for the lost titles. Be on the lookout for announcements on our blog and from your Collection Development Specialist for a timeline of this process. OverDrive announces plan for audiobooks to be solely available in MP3 format [Heather Tunstall/Overdrive] ( Thanks, Ben! ) ( Image: DRM PNG 900 2 , a Creative Commons Attribution Share-Alike (2.0) image from listentomyvoice’s photostream )        

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All library audiobooks going to DRM-free MP3s

Pirate Bay uploads up by 50% in 2013

2013 was a banner year for the Pirate Bay, despite having been forced to change domain names half-a-dozen times. The site saw a 50% increase in uploads in 2013 , to 2.8 million links, presently being swarmed by nearly 19 million users. The Pirate Bay is reportedly developing a peer-to-peer browser that will be much harder to block using existing censorship techniques. Pirate Bay Uploads Surge 50% in a Year, Despite Anti-Piracy Efforts [Ernesto/TorrentFreak]        

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Pirate Bay uploads up by 50% in 2013

FBI agent tries to copyright super-secret torture manual, inadvertently makes it public

The ACLU has spent years in court trying to get a look at a top-secret FBI interrogation manual that referred to the CIA’s notorious KUBARK torture manual. The FBI released a heavily redacted version at one point — so redacted as to be useless for determining whether its recommendations were constitutional. However, it turns out that the FBI agent who wrote the manual sent a copy to the Library of Congress in order to register a copyright in it — in his name! (Government documents are not copyrightable, but even if they were, the copyright would vest with the agent’s employer, not the agent himself). A Mother Jones reporter discovered the unredacted manual at the Library of Congress last week, and tipped off the ACLU about it. Anyone can inspect the manual on request. Go see for yourself! The 70-plus-page manual ended up in the Library of Congress, thanks to its author, an FBI official who made an unexplainable mistake. This FBI supervisory special agent, who once worked as a unit chief in the FBI’s counterterrorism division, registered a copyright for the manual in 2010 and deposited a copy with the US Copyright Office, where members of the public can inspect it upon request. What’s particularly strange about this episode is that government documents cannot be copyrighted. “A document that has not been released does not even need a copyright,” says Steven Aftergood, a government secrecy expert at the Federation of American Scientists. “Who is going to plagiarize from it? Even if you wanted to, you couldn’t violate the copyright because you don’t have the document. It isn’t available.” “The whole thing is a comedy of errors,” he adds. “It sounds like gross incompetence and ignorance.” Julian Sanchez, a fellow with the libertarian Cato Institute who has studied copyright policy, was harsher: “Do they not cover this in orientation? [Sensitive] documents should not be placed in public repositories—and, by the way, aren’t copyrightable. How do you even get a clearance without knowing this stuff?” You’ll Never Guess Where This FBI Agent Left a Secret Interrogation Manual [Nick Baumann/Mother Jones] ( via Techdirt ) ( Image: FBI , a Creative Commons Attribution Share-Alike (2.0) image from 10542402@N06’s photostream )        

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FBI agent tries to copyright super-secret torture manual, inadvertently makes it public

Bunnie Huang explains the nuts-and-bolts of getting stuff made in Shenzhen

In this talk from Maker Faire New York, Bunnie Huang of Chibitronics gives an amazing run-down of the on-the-ground reality of having electronics manufactured in Shenzhen, China. It’s a wild 30 minutes, covering everything from choosing a supplier to coping with squat toilets and the special horrors awaiting vegetarians in the Pearl River Delta. There are some dropouts at the start of the video that you’ll need to scroll past, but it’s well worth the hassle. Getting it Made: Stories from Shenzhen ( via Make )        

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Bunnie Huang explains the nuts-and-bolts of getting stuff made in Shenzhen

Aluminum castings of ant-nests

Anthill Art fills ant colonies with molten aluminum, creating massive, intricate castings of the architecture of the ants’ nests. They’re for sale on Ebay (surprisingly cheap, too), and they’re spectacular. I make casts of ant colonies using molten aluminum to fill the tunnels and chambers of the nest. The result is an amazing sculpture showing the intricate detail of the nest architecture. The cast is then mounted for display on a wood base. Each display has a stainless steel plaque mounted on it with information on the cast and a unique cast number. These make perfect displays for a home or as an educational piece for teachers and professors to display in a science classroom or laboratory. Anthill Art – Artistic and Educational Ant Colony Castings ( Thanks, Fipi Lele! )        

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Aluminum castings of ant-nests

Pee-Wee Herman talks about the remastered Christmas Special and Playhouse episodes

Kembrew writes, “I saw your post in Boing Boing today about Pee-Wee, and coincidentally, I just published a piece on Pee-wee’s Christmas Special . I think it’s the first time Paul Reubens has been interviewed about the upcoming remastered Pee-wee’s Playhouse DVDs that will come out next year.” I previously invoked the term “eye-popping” to describe Pee-wee’s Playhouse, but starting next year, viewers will run the risk of having their eyeballs permanently dislodged from their sockets. “The Christmas Special is going to come out, along with the entire Playhouse series, on Blu-ray,” Reubens tells me. “It’s being remastered now.” “The show was never seen on film,” he says. “The show was shot on film and transferred to tape and edited on tape, and all the effects were done on tape. Then the entire show was put on another tape to broadcast, so there are three or four generations of quality that are lost on every episode. So we went back to the original film elements, and the company I’m working with has recreated every edit in every single show, and recreated all the effects from all the original elements—which we were lucky to have kept.” “It looks unbelievable. It’s so extreme, people are going to freak out when they see it,” Reubens adds. “The detail and clarity and color is amazing.” This means that Gary Panter’s set design, the stop motion animation and other details will come alive in psychedelic high definition. It’s the kids show equivalent of being upgraded from cough syrup to mescaline. Pee-wee’s (remastered) Christmas Adventure: An interview with Paul Reubens [Kembrew McLeod/Little Village]        

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Pee-Wee Herman talks about the remastered Christmas Special and Playhouse episodes

Medieval kids’ birch-bark doodles

Michael sez, “Apparently medieval Russian schoolroooms used birch bark for things like writing practice. Erik Kwakkel, medieval book historian at Leiden University, Netherlands, has some charming photos of stick-figure illustrations on bark by kids who, like kids everywhere, got a bit bored with the lesson and started doodling in the margins. There are links to more images (and an interesting scholarly article) at the bottom of the post .” The most special items, however, are the ones shown above, which are from a medieval classroom. In the 13th century, young schoolboys learning to write filled these scraps with alphabets and short texts. Bark was ideal material for writing down things with such a short half-life. Then the pupils got bored and started to doodle, as kids do: crude drawings of individuals with big hands, as well as a figure with a raised sword standing next to a defeated beast (lower image). The last one was drawn by Onfim, who put his name next to the victorious warrior. The snippets provide a delightful and most unusual peek into a 13th-century classroom, with kids learning to read – and getting bored in the process. Medieval kids’ doodles on birch bark [Erik Kwakkel] ( Thanks, Michael ! )        

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Medieval kids’ birch-bark doodles

Terabyte laptop SDDs for $435!

For the second half of the 1990s, my standard advice to people buying computers was to max out the RAM as the cheapest, best way to improve their computers’ efficiency. The price/performance curve hit its stride around 1995, and after decades when a couple gigs of RAM would cost more than the server you were buying it for, you could max out all the RAM slots in any computer for a couple hundred bucks. Operating systems, though, were still being designed for RAM-starved computers, and when you dropped a gig or two of RAM in a machine, it screamed . It’s still good practice to max out your RAM, but it doesn’t get you much of a dividend. The turbo-charger of the 2010s is solid-state disk-drives, and they’re screaming up the same price/performance curve that RAM traversed twenty years ago. Two years ago, I traded my laptop drive for a 400GB SDD, spending as much on the drive as I had on the machine, and it was worth every penny. My laptop battery-life nearly doubled, and I stopped getting watch-cursors altogether; no matter what task I performed, it was done instantly. In October, I bought a one terabyte SDD for a ridiculous $435 — about a third of what I paid for a 600GB drive a little over a year ago! — and having run it for two months now, I’m prepared to pronounce it good. I wasn’t familiar with the manufacturer, Crucial, but they got very good reviews on Amazon, and at that price I was prepared to give them the benefit of the doubt. My machine — a Thinkpad X230 running Ubuntu 13.10 — chugs along with nary a beach-ball, and I can go six to eight hours on a six-cell battery with full brightness, and continuous Wifi and Bluetooth usage. I’m rough on my computer, and it’s taken plenty of knocks and bumps without any noticeable impact on the drive. To accompany the new drive, I bought a pair of $78 Toshiba USB3 1TB drives (one for backing up at the office, the other for my travel bag). They’re nothing near as fast as the SDD, but combined with the USB3 bus, they’re plenty quick for daily incremental backups, which take less than five minutes. If your storage needs aren’t as massy as mine, there’s a whole line of Crucial SDDs, 480GB for $269 , 240GB for $140 and so on. They all come with three year warranties, though I haven’t had cause to get service for my drive yet (knock wood). The drive is 7mm high, and comes with an easy-to-fit adapter for 9mm enclosures. I was less impressed with the adapter I bought to copy the files over; it was fiddly and prone to losing its connection. Ultimately, I slapped the new drive into a case in order to make the transfer. Crucial M500 960GB SATA 2.5-Inch 7mm (with 9.5mm adapter/spacer) Internal Solid State Drive CT960M500SSD1        

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Terabyte laptop SDDs for $435!

China launches lunar probe

The China National Space Administration has launched Chang’e 3, a plutonium-powered lunar lander on-board at 185-foot-tall Long March 3B rocket. The lander is on a four-day trajectory for the lunar surface, and will brake and enter lunar orbit on December 6th. It is scheduled to land on December 14th, in the Bay of Rainbows (Sinus Iridum). The rover masses 140kg, with nuclear heaters to keep systems alive during the two-week-long lunar nights, and will use radar to probe the lunascape as it roves during its mission. It is also outfitted with high-resolution panoramic cameras and telescopes. The Chinese space program’s stated goal is to establish a space-station and autonomous landers that can return to Earth with samples. “On behalf of the Xichang Satellite Launch Center and the command headquarters, I would like to extend my gratitude to all those who have been part of the project,” said Zhang Zhenzhong, director of the Xichang launch base. “And my thanks also go to all the friends who have been helping us throughout the whole process. “The Chang’e probe is on the way to the moon. Of course, it’s a symbol of China’s national power and prowess,” Zhang said in post-launch remarks translated into English on China’s state-run television. Over the next few days, Chang’e 3 will adjust its path toward the moon three times to set up for a critical rocket burn to enter lunar orbit Dec. 6. Landing on the moon is scheduled for Dec. 14 in a region known as Bay of Rainbows, or Sinus Iridum, on the upper-left part of the moon as viewed from Earth. Many of the mission’s specifications and objectives remained secret until the week of launch, when China rolled out details in a press briefing and through official state-owned media outlets. The lander carries a bipropellant rocket engine designed to adjust its power level and pivot to control the probe’s descent from an altitude of 15 kilometers, or about 9 miles, according to China’s state-run Xinhua news agency. Long March rocket blasts off with Chinese lunar rover [Stephen Clark/Spaceflight Now]        

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China launches lunar probe