MoviePass adds 500,000 subscribers within a month

MoviePass’ $10-per-month subscription service was a hit from the start, enough to crash the company’s website when it was first announced. It looks like demand isn’t slowing down anytime soon either: it has gained 500, 000 more subscribers merely a month after it reached 1.5 million users. The fact that MoviePass cut off members’ access to some popular AMC theaters had little effect, if any. It’s easy to see why 2 million would sign up: for 10 bucks a month — an ongoing promo even cuts the price down to $7.95 — they’re entitled to see one 2D film a day, every day, without paying extra. In 2017, members bought $110 million worth of tickets and generated an additional $146 million in ticket sales by bringing non-members to showings. MoviePass chief Mitch Lowe said in a statement: “We’re giving people a reason to go back to the movie theaters, and they’re going in droves. With awards season here, we hope we can make Hollywood and exhibitors very happy by filling seats with eager audiences.” As Bloomberg said, though, all these new users are both a blessing and a curse to the company. Every time a member watches a movie, the service pays for that subscriber’s ticket at full price. It loses money for every member that watches two movies a month, and its accountants apparently already warned the company that its system might not be viable in the long run. AMC shares the same sentiment and once called the business model unsustainable. It’s like turning “lead into gold, ” the theater chain said in a statement last year. So, how does MoviePass plan to make money if subscribers aren’t bringing in the cash? It’s hoping to sell ads, merchandise and data on moviegoers’ habits, as well as to get a cut of theaters’ refreshment sales as they go up from all the viewers it brings to cinemas. The company is also hoping to convince theater chains to sell it tickets for its members at a discounted rate. It’s unclear if MoviePass is already making headway with those plans, but when it dropped several AMC locations from its list, it said that the theaters it works with is subject to change as it “continue[s] to strive for mutually-beneficial relationships with” them. AMC chief Adam Aron has been quite a vocal critic of the service and already proclaimed that the chain has no intention of sharing its admissions or concessions revenue. Source: Bloomberg , Variety

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MoviePass adds 500,000 subscribers within a month

Cinemark launches a monthly movie program to rival MoviePass

MoviePass, the $10-per-month movie theater subscription service, was so unexpectedly popular when it launched last August that the company struggled to meet demand. Its success hasn’t gone unnoticed, especially by the competition. Theater chain Cinemark is creating its own service, Movie Club, but with far less generous perks. For a $9 monthly subscription, it grants a single ticket (instead of one every day) but also gives 20 percent off concessions and cheaper bulk ticket rates. In short, it’s a compromise coming from within the movie theater establishment. Movie Club’s lone included ticket is only for 2D films (like MoviePass), the concession discount can be shared with friends and subscribers can buy additional tickets for a discounted $9 each. If you don’t see a film one month, that credit rolls over to the next. Plus, online buying fees are waived. And like MoviePass, there’s no contract, so you can cancel any time. You’ll still be limited to Cinemark’s 350 theaters, while MoviePass boasts over 4, 000 participating cinemas. But if you’re an industry loyalist or just want to build up sweet loyalty points, Movie Club could be for you. Via: Variety Source: Cinemark Movie Club

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Cinemark launches a monthly movie program to rival MoviePass

Man faces three years in prison for sharing Deadpool on Facebook

Enlarge (credit: 20th Century Fox ) A California man who shared a copy of the movie Deadpool on Facebook has been arrested and charged with criminal copyright infringement. If convicted, he faces a penalty of up to three years in prison. Trevon Maurice Franklin, 21, of Fresno, California, allegedly uploaded the movie to his Facebook page eight days after its US theatrical release in February 2016. Franklin went by the name “Tre-Von M. King” on Facebook. Franklin was arrested on Tuesday morning and brought to US District Court in Fresno. The court docket indicates he was brought into court in leg shackles. Franklin was advised of his rights and the charges, and he pleaded not guilty. He was assigned a federal public defender as an attorney and has a subsequent court appearance on June 27 in Los Angeles. Read 3 remaining paragraphs | Comments

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Man faces three years in prison for sharing Deadpool on Facebook

‘Guardians of the Galaxy’ team says why it used Red’s 8K camera

When director James Gunn revealed that Guardians of the Galaxy Vol. 2 would be the first movie shot with Red’s 8K Weapon camera , he triggered a bit of speculation: what prompted the move beyond the incredibly high resolution? You might have a better answer today. Red has posted a behind-the-scenes look at the movie that, to no one’s surprise, talks a lot about why the Vol. 2 team shot with such relatively exotic gear. And no, it’s not just about that picture quality. As director of photography Henry Braham summarizes: the Weapon is a “large format” camera that’s simultaneously “tiny.” That let the crew shoot very detailed imagery regardless of the shot — important for a CG-heavy movie, since it maintains a consistently sharp look. They could use the same cameras for handheld close-ups or unusual rigs, such as a spider rig that flies along a wire. In short, they didn’t have to switch cameras or resort to convoluted setups. The behind-the-scenes video is undoubtedly a puff piece meant to sell you on both the camera and the movie. However, it’s also a hint as to where movie technology is going. You can expect 8K digital cameras to become more commonplace, of course, but they also promise more elaborate cinematography that might have been difficult just a few years ago. Source: Red

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‘Guardians of the Galaxy’ team says why it used Red’s 8K camera

‘Guardians of the Galaxy’ team says why it used Red’s 8K camera

When director James Gunn revealed that Guardians of the Galaxy Vol. 2 would be the first movie shot with Red’s 8K Weapon camera , he triggered a bit of speculation: what prompted the move beyond the incredibly high resolution? You might have a better answer today. Red has posted a behind-the-scenes look at the movie that, to no one’s surprise, talks a lot about why the Vol. 2 team shot with such relatively exotic gear. And no, it’s not just about that picture quality. As director of photography Henry Braham summarizes: the Weapon is a “large format” camera that’s simultaneously “tiny.” That let the crew shoot very detailed imagery regardless of the shot — important for a CG-heavy movie, since it maintains a consistently sharp look. They could use the same cameras for handheld close-ups or unusual rigs, such as a spider rig that flies along a wire. In short, they didn’t have to switch cameras or resort to convoluted setups. The behind-the-scenes video is undoubtedly a puff piece meant to sell you on both the camera and the movie. However, it’s also a hint as to where movie technology is going. You can expect 8K digital cameras to become more commonplace, of course, but they also promise more elaborate cinematography that might have been difficult just a few years ago. Source: Red

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‘Guardians of the Galaxy’ team says why it used Red’s 8K camera

‘Guardians of the Galaxy’ team says why it used Red’s 8K camera

When director James Gunn revealed that Guardians of the Galaxy Vol. 2 would be the first movie shot with Red’s 8K Weapon camera , he triggered a bit of speculation: what prompted the move beyond the incredibly high resolution? You might have a better answer today. Red has posted a behind-the-scenes look at the movie that, to no one’s surprise, talks a lot about why the Vol. 2 team shot with such relatively exotic gear. And no, it’s not just about that picture quality. As director of photography Henry Braham summarizes: the Weapon is a “large format” camera that’s simultaneously “tiny.” That let the crew shoot very detailed imagery regardless of the shot — important for a CG-heavy movie, since it maintains a consistently sharp look. They could use the same cameras for handheld close-ups or unusual rigs, such as a spider rig that flies along a wire. In short, they didn’t have to switch cameras or resort to convoluted setups. The behind-the-scenes video is undoubtedly a puff piece meant to sell you on both the camera and the movie. However, it’s also a hint as to where movie technology is going. You can expect 8K digital cameras to become more commonplace, of course, but they also promise more elaborate cinematography that might have been difficult just a few years ago. Source: Red

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‘Guardians of the Galaxy’ team says why it used Red’s 8K camera

‘Guardians of the Galaxy’ team says why it used Red’s 8K camera

When director James Gunn revealed that Guardians of the Galaxy Vol. 2 would be the first movie shot with Red’s 8K Weapon camera , he triggered a bit of speculation: what prompted the move beyond the incredibly high resolution? You might have a better answer today. Red has posted a behind-the-scenes look at the movie that, to no one’s surprise, talks a lot about why the Vol. 2 team shot with such relatively exotic gear. And no, it’s not just about that picture quality. As director of photography Henry Braham summarizes: the Weapon is a “large format” camera that’s simultaneously “tiny.” That let the crew shoot very detailed imagery regardless of the shot — important for a CG-heavy movie, since it maintains a consistently sharp look. They could use the same cameras for handheld close-ups or unusual rigs, such as a spider rig that flies along a wire. In short, they didn’t have to switch cameras or resort to convoluted setups. The behind-the-scenes video is undoubtedly a puff piece meant to sell you on both the camera and the movie. However, it’s also a hint as to where movie technology is going. You can expect 8K digital cameras to become more commonplace, of course, but they also promise more elaborate cinematography that might have been difficult just a few years ago. Source: Red

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‘Guardians of the Galaxy’ team says why it used Red’s 8K camera

‘Guardians of the Galaxy’ team says why it used Red’s 8K camera

When director James Gunn revealed that Guardians of the Galaxy Vol. 2 would be the first movie shot with Red’s 8K Weapon camera , he triggered a bit of speculation: what prompted the move beyond the incredibly high resolution? You might have a better answer today. Red has posted a behind-the-scenes look at the movie that, to no one’s surprise, talks a lot about why the Vol. 2 team shot with such relatively exotic gear. And no, it’s not just about that picture quality. As director of photography Henry Braham summarizes: the Weapon is a “large format” camera that’s simultaneously “tiny.” That let the crew shoot very detailed imagery regardless of the shot — important for a CG-heavy movie, since it maintains a consistently sharp look. They could use the same cameras for handheld close-ups or unusual rigs, such as a spider rig that flies along a wire. In short, they didn’t have to switch cameras or resort to convoluted setups. The behind-the-scenes video is undoubtedly a puff piece meant to sell you on both the camera and the movie. However, it’s also a hint as to where movie technology is going. You can expect 8K digital cameras to become more commonplace, of course, but they also promise more elaborate cinematography that might have been difficult just a few years ago. Source: Red

View article:
‘Guardians of the Galaxy’ team says why it used Red’s 8K camera

‘Guardians of the Galaxy’ team says why it used Red’s 8K camera

When director James Gunn revealed that Guardians of the Galaxy Vol. 2 would be the first movie shot with Red’s 8K Weapon camera , he triggered a bit of speculation: what prompted the move beyond the incredibly high resolution? You might have a better answer today. Red has posted a behind-the-scenes look at the movie that, to no one’s surprise, talks a lot about why the Vol. 2 team shot with such relatively exotic gear. And no, it’s not just about that picture quality. As director of photography Henry Braham summarizes: the Weapon is a “large format” camera that’s simultaneously “tiny.” That let the crew shoot very detailed imagery regardless of the shot — important for a CG-heavy movie, since it maintains a consistently sharp look. They could use the same cameras for handheld close-ups or unusual rigs, such as a spider rig that flies along a wire. In short, they didn’t have to switch cameras or resort to convoluted setups. The behind-the-scenes video is undoubtedly a puff piece meant to sell you on both the camera and the movie. However, it’s also a hint as to where movie technology is going. You can expect 8K digital cameras to become more commonplace, of course, but they also promise more elaborate cinematography that might have been difficult just a few years ago. Source: Red

Continued here:
‘Guardians of the Galaxy’ team says why it used Red’s 8K camera

‘Guardians of the Galaxy’ team says why it used Red’s 8K camera

When director James Gunn revealed that Guardians of the Galaxy Vol. 2 would be the first movie shot with Red’s 8K Weapon camera , he triggered a bit of speculation: what prompted the move beyond the incredibly high resolution? You might have a better answer today. Red has posted a behind-the-scenes look at the movie that, to no one’s surprise, talks a lot about why the Vol. 2 team shot with such relatively exotic gear. And no, it’s not just about that picture quality. As director of photography Henry Braham summarizes: the Weapon is a “large format” camera that’s simultaneously “tiny.” That let the crew shoot very detailed imagery regardless of the shot — important for a CG-heavy movie, since it maintains a consistently sharp look. They could use the same cameras for handheld close-ups or unusual rigs, such as a spider rig that flies along a wire. In short, they didn’t have to switch cameras or resort to convoluted setups. The behind-the-scenes video is undoubtedly a puff piece meant to sell you on both the camera and the movie. However, it’s also a hint as to where movie technology is going. You can expect 8K digital cameras to become more commonplace, of course, but they also promise more elaborate cinematography that might have been difficult just a few years ago. Source: Red

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‘Guardians of the Galaxy’ team says why it used Red’s 8K camera