A typography historian shares his favorite typefaces

Paul McNeil just published his comprehensive typographical overview, The Visual History of Type . To celebrate, he also published a list of his six favorite faces for It’s Nice That, starting with the first compact italic: The Aldine Italic / Griffo’s Italic / 1501 Few typefaces have had as great an influence on Western culture as Francesco Griffo’s Italic. At the end of the 15th century, when most books were large and heavy, Aldus Manutius commissioned Griffo to cut this compact, inclined letterform. Easily legible at small sizes, the Aldine Italic permitted the production of small, affordable, portable books suited to the requirements of an educated, mobile class of literate individuals. Over the next three centuries, the practice of publishing changed everything. By allowing texts to be reliably reproduced and disseminated in an almost limitless time frame, it triggered new ideas that profoundly challenged all forms of institutional control, leading to dramatic religious reforms, radical socio-political changes, and to the scientific worldview that initiated the modern era. • The Visual History of Type (via It’s Nice That ) Image via ilovetypography.com

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A typography historian shares his favorite typefaces

Terrific history of Benguiat, the ‘Stranger Things’ font

Typeroom looks back at ITC Benguiat , the font that so embodied its time that it’s now canonical for late 1970s to early 1980s. Turns out its designer and namesake Ed Benguiat was motivated by a potential big payoff: Inspired by Times New Roman and Bodoni, “he wanted to create a design that was pretty and readable in order to garner as much commission and licensing fees as possible. Back then, it was much harder to access different fonts so there was a larger incentive to have a typeface take off”. • How Ed Benguiat’s vintage font became the most hyped of the year (h/t Calpernia Addams )

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Terrific history of Benguiat, the ‘Stranger Things’ font