Tesla announces new service details, unconditional warranty for Model S battery

Tesla CEO Elon Musk talked a bit about his goals for expanded service options in his interview with us earlier this month, and he’s today detailed some of those options that the company is ready to roll out. That includes one perk that’s been mentioned previously: the ability to get a Model S loaner to tide you over when you have to turn your car in for service. What’s more, that loaner will be a top-of-the-line Model S regardless of the car you turn in (there’s a fleet of 85 to start with, each with valet service to your location), and customers in “most markets” can also opt to get a Tesla Roadster as a loaner if they’d prefer to try out something sportier. Musk further explains that customers can even choose to keep that loaner car if they like it better, and simply pay the difference. Beyond that, Tesla is now making annual checkups entirely optional, meaning that your warranty will still be valid for the full term even if you never take your car in. And rounding things out is what Tesla describes as an “unconditional warranty” on Model S batteries, which will let owners get a factory reconditioned unit as a replacement even in the case of user error. You can find the full details on the new options in Musk’s blog post announcing the news linked below. Filed under: Transportation Comments Source: Tesla

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Tesla announces new service details, unconditional warranty for Model S battery

LivingSocial Hacked, Time to Change Your Passwords

The daily deals site LivingSocial has been hacked, revealing more than 50 million people’s usernames, names, birth dates, passwords, and email addresses. Here’s what you need to know. Read more…        

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LivingSocial Hacked, Time to Change Your Passwords

Fair use decision: remixing is legal even when there is no intent to comment or parody original work

A Second Circuit Appeals Court judge has handed down a landmark fair use decision in Cariou v. Prince . Prince, a collagist, remixed some of Cariou’s photos and sold them for large sums. Cariou argued that the new works were not fair because Prince did not create his collages as a comment on the original (one of the factors judges can consider in fair use cases is whether the new work is a commentary or parody). The lower court agreed, and ordered destruction of the show catalogs and a ban on hanging the new works. But the appeals court overturned, and held that a use can be fair even when it doesn’t comment on the original. “We conclude that the district court applied the incorrect standard to determine whether Prince’s artworks make fair use of Cariou’s copyrighted photographs,” writes Judge B.D. Parker in the decision, which was released this morning. “We further conclude that all but five of Prince’s works do make fair use of Cariou’s copyrighted photographs. With regard to the remaining five Prince artworks, we remand the case to the district court to consider, in the first instance, whether Prince is entitled to a fair use defense.” “This decision absolutely clarifies that the law does not require that a new work of art comment on any of its source material to qualify as fair use,” attorney Virginia Rutledge told A.i.A. by phone this morning after a preliminary survey of the decision. “This is a major win for Prince on at least two counts,” NYU art law professor Amy Adler told A.i.A. via e-mail. (She consulted on the case but was speaking for herself.) “The court decided that artwork does not need to comment on previous work to qualify as fair use, and that Prince’s testimony is not the dispositive question in determining whether a work is transformative. Rather the issue is how the work may reasonably be perceived. This is the right standard because it takes into account the underlying public purpose of copyright law, which should not be beholden to statements of individual intent but instead consider the value that all of us gain from the creation of new work.” Richard Prince Wins Major Victory in Landmark Copyright Suit [Brian Boucher/Art in America] ( Thanks, Tim ! )        

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Fair use decision: remixing is legal even when there is no intent to comment or parody original work

Stunning New Stencil Work from ‘Escape Artist’ David Soukup – Exhibition Opens Tonight in Chicago

Images courtesy of the artist We were duly impressed with David Soukup’s painstakingly detailed stencils when we first saw them back in 2011 —I could hardly believe that some of those ultrafine lines were stenciled and not applied by an implement (or at least masked off). He’s pleased to announce a solo show at Maxwell Colette gallery in his current hometown of Chicago: “This show is one of my most personal to date, and marks a return to some of the imagery and technical precision that I became known for.” I hadn’t realized that he lost his way (the mural project , pictured above, dates to October of last year), but earlier this year, Soukup wrote that “I had been cutting stencils for so long that I really lost what made them most important to me, and why I started doing them in the first place.” In any case, we’re glad he’s back on track with his first exhibition in 16 months, featuring “over 20 pieces of new work (both stencils and screenprints).” The title, Perennial Escapism , is an obvious play on the subject matter, but the rather literal take on an exit strategy belies the integrity of the subject matter: the imagery is “derived from the artist’s own photographs of early 20th century wrought iron fire escapes in Chicago.” To hear Soukup tell it: This work represents a personal ‘escape’ so to speak. I went back to what first made me passionate. I drew inspiration not just from the city imagery itself, but from the textures, the grit, and the distress that makes up a city. Perennial Escapism marks the beginning of a new direction, one I’ve never been more excited to pursue. Where his previous work was more collage-y and surreal, the stark new compositions evoke film stills, superimposed on a baselayer of impasto on the wood panels to achieve the effect of a vaguely patina’d or otherwise weathered surface. Per the press release : Soukup’s paintings combine visual elements of graphic design and collage with the tactile elements of paint and reclaimed materials to create decidedly urban motifs. He hand-cuts the elaborate stencils, some up to four feet in length, that are utilized to create his paintings. The resulting latticework of iron bars and shadows echoes the visual experience of his everyday life, and reflects his obsession with meticulous detail. We’re pleased to present an exclusive preview of Perennial Escapism : (more…)        

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Stunning New Stencil Work from ‘Escape Artist’ David Soukup – Exhibition Opens Tonight in Chicago

Why Did It Take So Long to Make a See-Through Highlighter Tip?

Not since Liquid Paper has there been an innovation in office supplies as awesome as this highlighter’s see-through tip that makes it easier to see the text as you’re… well… highlighting it. More »        

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Why Did It Take So Long to Make a See-Through Highlighter Tip?

New ‘smart skin’ so sensitive it rivals the real thing

Researchers say their experimental arrays sense pressure in the same range as the human fingertip, which could result in better bots and prosthetics. [Read more]        

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New ‘smart skin’ so sensitive it rivals the real thing

NYC Police Comm’r: Privacy Is ‘Off the Table’ After Boston Bombs

An anonymous reader writes “New York City Police Commissioner Ray Kelly thinks that now is a great time to install even more surveillance cameras hither and yon around the Big Apple. After the Boston Marathon bombing, the Tsarnaev brothers were famously captured on security camera footage and thereby identified. That just may soften up Americans to the idea of the all-seeing glass eye. ‘I think the privacy issue has really been taken off the table,’ Kelly gloats.” Read more of this story at Slashdot.

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NYC Police Comm’r: Privacy Is ‘Off the Table’ After Boston Bombs