In Xerox scanners/photocopiers randomly alter numbers in scanned documents , a computer scientist called David Kriesel shows that the Xerox WorkCentre 7535 randomly changes the numbers in its scans.
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Some copiers randomly change the numbers on documents
Randall Munroe has finally finished Time , his 3, 000+ frame slow-motion animation that began life as wordless, enigmatic single-panel XKCD installment .
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Randall Munroe finishes "Time," the 3,099-panel XKCD serial
sturgeon writes “Wired Magazine claims today that Google is now 25% of the North American traffic with a mostly unreported (and rapidly expanding), massive deployment of edge caching servers in almost every Internet provider around the world. Whether users are directly using a Google service (i.e. search, YouTube) or the devices are automatically sending data (e.g. Google Analytics, updates), the majority of end devices around the world will now send traffic to Google server during the course of an average day. It looks like Wired based their story on a report from cloud analytics and network management company DeepField.” Read more of this story at Slashdot.
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Google Now Serves 25% of North American Internet Traffic
A woman who valet-parked her car at Rochester airport returned to find a notice informing her that the valet had searched her car, on orders from the TSA.
CNet’s Declan McCullagh reports on a rumor that Google is testing a system for encrypting its users’ files on Google Drive; they are reportedly considering the move as a means of making it harder for government spies to harvest user-data.
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Google experimenting with spy-resistant encrypted Google Drive
The Sikorsky prize for human-powered helicopters has been claimed by a Kickstarter-funded startup called Aerovelo. Aerovelo’s founders, Canadians Todd Reichert and Cameron Robertson, won the $250, 000 purse for the 30-second flight of Atlas, a huge quadrotor with a bike in the middle whose flight is an absolute marvel to behold.
A somewhat tongue-in-cheek article in The Guardian is proposing some rather interesting predictions for the future of humanity — changes to human form and function that would even make some of the X-Men jealous. Read more…
Remember when rogue archivist Carl Malamud asked the IRS for data on $1.5 trillion worth of data from nonprofit organizations ?
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IRS database of nonprofits is filled with unredacted SSNs
Have you heard a lot of Internetular argle-bargle about Pandora’s crazy-low royalty rates? How they compare unfavorably to satellite rates, and how the company’s trying to cut them? You have? Me too. Turns out (unsurprisingly), it’s RIAA lies. For example, the comparison to satellite streaming rates is pure spin — it compares the rate of sending a song to every person turned into that satellite station to a single person listening to a Pandora stream. It would be pretty surprising if Pandora’s per-listener rates weren’t a fraction of the rates paid by satellite radio for a whole audience. And the business about trying to cut royalties just isn’t true, either: The next issue concerns the publishing side. Historically, Pandora has paid essentially the same rate as all other forms of radio, a rate established unilaterally by the performing rights organizations, ASCAP and BMI, in the late 1990s. In November of last year, following a lengthy negotiation, Pandora agreed with ASCAP to a new rate, an increase over the prior amount, and shook hands with ASCAP management. Not only was our hand-shake agreement rejected by the ASCAP board, but shortly thereafter we were subjected to a steady stream of “withdrawals” by major publishers from ASCAP and BMI seeking to negotiate separate and higher rates with Pandora, and only Pandora. This move caused us to seek the protection of the rate, also recently negotiated, enjoyed by the online radio streams of broadcast radio companies. It’s important to note that these streams represent 96% of the Internet radio listening hours among the top 20 services outside of Pandora (talk about an un-level playing field). We did not enter this period looking for a lower rate – we agreed to a higher rate. But in a sad irony, the actions of a few small, but powerful publishers seeking to gain advantage for themselves has caused all songwriters’ royalties to go down. Any characterization of Pandora as being out to cut publishing rates flies in the face of the facts. Pandora and Royalties ( via Techdirt )
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RIAA lies about Pandora’s royalty rates
Digital Grotesque is an ambitious architectural project using 3D printers and game-of-life-style algorithms to produce a room whose walls, baseboards, ceiling and moldings are all a-crawl with the most astonishing array of forms and complexities. They’ve completed a 1:3 prototype, which is presently on exhibit in Basel, and are proceeding to print out the full-scale item. the prototypes show a regard for both material sensitivity and the limits of technologically manipulated form– millions of grains of sand bind together to create a new typology of sandstone and subsequently treated to be glazed and gilded. drawing from the algorithmic confines of the game of life and cell division, a set of simple geometries met with minimal parameters begets a highly involved form. the result is rich, shimmering composition ridden with impossible undercuts and a transcendental sense of the limits of technology. the term grotesque is derived from the unplanned complexities of a water-shaped grotto, itself a naturally occurring architecture long regarded for the uncanny presence of human-sized spaces in various landscapes. digital grotesque showcases 3-d printed room by michael hansmeyer ( Images: Digital Grotesque ) ( via Dvice )